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Late Romantics - George Henderson plays the Jen Brio 49​-​P organ

by George Henderson

/
1.
She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o’er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place. And on that cheek, and o’er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!
2.
instrumental
3.
(note: these are the correct words of the poem, freely adapted from memory for the song) Come swish around, my pretty punk, And keep me dancing still That I may stay a sober man Although I drink my fill. Sobriety is a jewel That I do much adore; And therefore keep me dancing Though drunkards lie and snore. O mind your feet, O mind your feet, Keep dancing like a wave, And under every dancer A dead man in his grave. No ups and downs, my pretty, A mermaid, not a punk; A drunkard is a dead man, And all dead men are drunk.
4.
instrumental
5.
On the third day of valentines my love gave to me all of the biscuits and all of the tea she took me and she held me and she nudged me with her knee she loved me most patiently On the second day of valentines my lover gave to me a long-sought sense of security coddled in comfort and cuddled by charms the old moon lay in the young moon's arms On the third day of valentines I couldn't get it right for all of that day and most of the night
6.
instrumental
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instrumental
8.
instrumental

about

Three songs and several instrumental compositions played on the Jen Brio 49-P organ, recorded with a Zoom H4n Pro recorder and mixed in Audacity, this mini-album is designed to be listened to in a state of lassitude or languidity, whence dreams may come.

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released October 29, 2021

Cover art by Hayley Theyers

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The New Existentialists Auckland, New Zealand

Freakbeat, softcore and dirtbag psych metal from West Auckland
The West will rise again

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